You can’t dislike Alvvays.
You can ignore them if you like, but the fun, catchy pop found on this
debut album is simply appealing. If you
don’t like Alvvays, there’s something wrong with you.
This album sounds like something from the past. Other reviewers point to C86 and early
REM. I had to spend a little time on Wikipedia to find out what C86 was, and it turns out
to be a cassette tape released by the British music magazine New Musical Express (NME) in
1986. The cassette is credited with
promoting “a guitar-based musical genre characterized by jangling
guitars and melodic power pop song structures.” If you already knew that, you’re hipper than
I am. If not, then I’ve made you
marginally more hip, which, when you consider the source, must be mighty
depressing.
Fortunately, this album is an upbeat antidote to that kind
of brooding. To me, it has a mid-70s
sound with tambourines, electric guitars and a girlish voice. On first listen, it reminds me of the Cowsills,
the Partridge Family and, perhaps inspired by the second song on the album, the
Archies. This is pre-grunge, sparkling
pure pop.
That second song, “Archie, Marry Me” is the centerpiece of
the album. Clever, catchy,
self-confident and just a tiny bit edgy, it defines the approach taken by
Alvvays throughout the album. It
includes sonic references to the early-70s pop world beyond the name “Archie” –
including a few “Hey, hey’s” that you will likely follow with “Paula”, if you
recall the old song.
But this is not just a sweet homage to pop songs of the
past. It’s hard to describe, but there
is a bit of an edge to lead-singer’s Molly Rankin’s voice – a maturity that
makes you take these sugar-dipped songs just a bit more seriously. “The Agency Group” moves a bit past adoring
toward stalking. “Next of Kin” makes an
accidental drowning sound like a fun surf song.
As I said at the beginning, you can’t dislike Alvvays, but
it’s hard to imagine truly loving this album. It’s a glossy surface with a few hints that there
could be some really great stuff coming. In this, their first album, Alvvays has set up
a great, pretty sound, but they haven’t put much grit or soul into it. I’m hopeful that the next album will be a bit
less pretty and a lot more interesting.
Robin came up with a good description of how it feels to listen to this album: "The whole album is like peeking in a girl's diary. Lot's of wistfully trying to figure out what is going on in the boy's head, wanting it to last, wanting it to start."
Robin came up with a good description of how it feels to listen to this album: "The whole album is like peeking in a girl's diary. Lot's of wistfully trying to figure out what is going on in the boy's head, wanting it to last, wanting it to start."
Next Up: Things are going to be busy in the Ryan household for the rest of the year, so our next entry will be a ranking of what we've loved listening to this year.
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